Music of Indonesia 19 - Music of Maluku: Halmahera, Buru, Kei
Collection
Titre
Music of Indonesia 19 - Music of Maluku: Halmahera, Buru, Kei
Type de document
Audio édité
Cote MCM
ID.SFW-40446
Date de parution
1999
Origine géographique
Indonésie
Langue
Anglais
Description
Musicians of Desa Malapa
Mares (Halmahera) 4:56
Lagu Togal (Halmahera) 7:48
Musicians of Kampung Waereman
Kalabe (Buru) 4:21
Tuang Koluatu (Buru) 4:47
Tigertama (Buru) 2:22
Perusi Tajang (Buru) 3:03
Ranafan (Buru) 3:01
Musicians of Watlaar, Haar and Banda Eli
Marin Uib (Kei) 1:13
Wannar (Kei) 3:55
Tiwal Sewat (Kei) 2:54
Snehet (Kei) 4:02
Ngel-Ngel (Kei) 2:36
Musicians of Desa Sather
Ngel-Ngel (Kei) 3:30
Baiunt Ntya Nit (Kei) 1:06
Sisiu (Kei) 3:37
Taru Bysyr Oabag (Kei) 2:09
Dabus officiants and musicians in Desa Talaga
Szujur SannabL Akkagy Akkag (Hamahera) 7:15
Qasidah Rifai: Baghadi (Hamahera) 4:45
Jata StegL Baqada Unygau (Hamahera) 7:01
Music of Indonesia, Vol. 19: Music of Maluku: Halmahera, Buru, Kei
Various Artists SFW40446
Musically, the vast province of Maluku ("the Moluccas") is one of the least known regions of Indonesia. Here we present music from three islands: Halmahera in the north, Buru in the center, and Kei Besar in the south. From Halmahera comes togal, entertainment music played on stringed instruments plus flute, drums, and a singer. From Buru we offer a varied selection: men's songs with drumming, an excerpt from a night-long sung narrative, jew's harp pieces, and a gong ensemble. Aside from two ensembles of flute and percussion, our recordings from Kei Besar are mainly vocal; solos, a duo, and choruses offering advice, recounting history, and asserting territorial boundaries (an important use for songs in Maluku); there is also a rowing song sung by children. Finally we return to Halmahera and present selections from a dabus performance accompanied by singing and frame drums. In dabus, a Muslim ritual derived from Sufi practice, men stab themselves vigorously with iron awls, but the spiritual power of the ritual leader protects them from serious injury. 74 minutes. 32-page booklet with map.
Mares (Halmahera) 4:56
Lagu Togal (Halmahera) 7:48
Musicians of Kampung Waereman
Kalabe (Buru) 4:21
Tuang Koluatu (Buru) 4:47
Tigertama (Buru) 2:22
Perusi Tajang (Buru) 3:03
Ranafan (Buru) 3:01
Musicians of Watlaar, Haar and Banda Eli
Marin Uib (Kei) 1:13
Wannar (Kei) 3:55
Tiwal Sewat (Kei) 2:54
Snehet (Kei) 4:02
Ngel-Ngel (Kei) 2:36
Musicians of Desa Sather
Ngel-Ngel (Kei) 3:30
Baiunt Ntya Nit (Kei) 1:06
Sisiu (Kei) 3:37
Taru Bysyr Oabag (Kei) 2:09
Dabus officiants and musicians in Desa Talaga
Szujur SannabL Akkagy Akkag (Hamahera) 7:15
Qasidah Rifai: Baghadi (Hamahera) 4:45
Jata StegL Baqada Unygau (Hamahera) 7:01
Music of Indonesia, Vol. 19: Music of Maluku: Halmahera, Buru, Kei
Various Artists SFW40446
Musically, the vast province of Maluku ("the Moluccas") is one of the least known regions of Indonesia. Here we present music from three islands: Halmahera in the north, Buru in the center, and Kei Besar in the south. From Halmahera comes togal, entertainment music played on stringed instruments plus flute, drums, and a singer. From Buru we offer a varied selection: men's songs with drumming, an excerpt from a night-long sung narrative, jew's harp pieces, and a gong ensemble. Aside from two ensembles of flute and percussion, our recordings from Kei Besar are mainly vocal; solos, a duo, and choruses offering advice, recounting history, and asserting territorial boundaries (an important use for songs in Maluku); there is also a rowing song sung by children. Finally we return to Halmahera and present selections from a dabus performance accompanied by singing and frame drums. In dabus, a Muslim ritual derived from Sufi practice, men stab themselves vigorously with iron awls, but the spiritual power of the ritual leader protects them from serious injury. 74 minutes. 32-page booklet with map.
Éditeur
Smithsonian Folkways Recordings
numéro
SFW40446
Durée
72'
Support physique
Audio - CD
Mots-clés
nombre de pages
33